Lyzette Wanzer, MFA

Did you know that it's possible to sell a book on the strength of a book proposal alone—even if you haven't yet finished writing your book? A book proposal is an equation: a business case married with a marketing plan that you submit to publishers. In this workshop, students will learn the full spectrum of writing a first-draft proposal: what to include, what to leave out, faux pas to avoid, structuring your proposal in a professional format, and how to demonstrate to publishers that you're a serious writer who understands the 21st-century publishing landscape. Each week, students will write one draft section of their proposal. They will receive weekly critique on their drafts from the instructor, and they will also workshop some sections with one another in small groups or partners. Students must have either a completed or in-progress nonfiction manuscript, and be comfortable using Word, Google Docs, or Scrivener. Enrollment is limited for this hands-on workshop. Registration is available at https://loft.org/classes/6-week-write-winning-nonfiction-book-proposal

This strategy- and information-packed workshop is open to writers of any genre who are planning to apply for a literary grant, fellowship, scholarship, or any national or international writers' residency opportunity in 2025 or 2026.

This workshop will cover:

• The dreaded Project Statement, Work Plan, or Goals and Objectives question
• How to demonstrate a rising trajectory (remembering that most people who are awarded grants are on their way up, not already there)

• Using headings and "buckets" to make your statement navigable
• How to craft clear, concise personal or "artist" statements that do not ramble (leave this class with a completed first draft in hand!)
• Why the marketing angle is so important

Students should be computer savvy and prepared to engage in a range of hands-on activities. Learn more at https://midnight-indigo.com/collections/writing-classes-for-black-writers/products/applying-for-grants-residencies

As a writer in the 21st century, you will need some incarnation of this statement on your grant, fellowship, and other funding applications, your residency applications, and your author web page. This statement serves as your opportunity to demonstrate that you are a thoughtful, deliberate writer who takes their literary career seriously.

In this two-session seminar, you'll learn how to cast your work in its strongest, most evocative light. You will read several statement examples, learn how vetting committees use them, and then craft, workshop, and revise several drafts of your own statement. You will complete a series of writing exercises to generate ideas about how to talk about your work. We'll polish your statement until it is ready to impress! Open to writers of all genres including fiction, creative nonfiction, poetry, songwriting, essays, and graphic novels. Get more information at https://www.mainewriters.org/calendar/artiststatement?rq=wanzer

You've heard the alphabet soup of these conferences: ASALH, AWP, CEA, CSA, MLA, PCA, SHC, and so many others.

In a safe and supportive environment, you will learn:

• how to choose the right writers' conference for you
• how to prepare a polished submission and make a professional impression
• how to create a conference plan
• explore options for financial support
• avoid common and costly mistakes in your CV and bio that mark you as an amateur.

This day-long, hands-on workshop is for writers who are applying to have their work—poetry, fiction, essays, and creative nonfiction—accepted for a panel at a writers' conference or convention, whether virtual or in-person. Students should be prepared to engage in several online research and task activities. Reserve your space at https://www.writersgrotto.org/classes-and-events/get-invited-to-read-at-literary-conferences-with-lyzette-wanzer

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As a writer in the 21st century, you will need some incarnation of this statement on your grant, fellowship, and other funding applications, your residency applications, and your author web page. This statement serves as your opportunity to demonstrate that you are a thoughtful, deliberate writer who takes their literary career seriously.

In this seminar, you'll learn how to cast your work in its strongest, most evocative light. You will read several statement examples, learn how vetting committees use them, and then craft, workshop, and revise several drafts of your own statement. You will complete a series of writing exercises to generate ideas about how to talk about your work. We'll polish your statement until it is ready to impress! Open to writers of all genres including fiction, creative nonfiction, poetry, songwriting, essays, and graphic novels. Register for this class at https://www.writersgrotto.org/classes-and-events/write-your-artist-statement-with-lyzette-wanzer

In a safe, supportive community, learn how to plan a submissions strategy, create a plan of attack for your work, research markets, and locate the ones that are the best fits for your writing. Begin by learning proper submission etiquette and protocol, avoiding pitfalls that mark you as an amateur and get your submission tossed onto the "No" pile—before editors have even read it. Then we will submit short stories, articles, poems, essays, novel excerpts, and/or creative nonfiction pieces to several markets. It's time to set aside the bevy of excuses about why you're not sending your work out to creative writing journals, magazines, and contests! Register at https://murphywriting.com/workshops/strategic-submission-an-online-workshop

This two-week, six-hour writing bootcamp is open to writers of all genres including fiction, creative nonfiction, poetry, songwriting, essays, and graphic novels. As a writer in the 21st century, you will need some incarnation of this statement on your grant, fellowship, and other funding applications, your residency applications, and your author web page. This statement serves as your opportunity to demonstrate that you are a thoughtful, deliberate writer who takes their literary career seriously.

You'll learn how to cast your work in its strongest, most evocative light. You will read several statement examples, learn how vetting committees use them, and then craft, workshop, and revise several drafts of your statement. You will complete a series of writing exercises to generate ideas about how to talk about your work. We'll polish your statement until it is ready for prime time! Reserve your seat at https://wordcrafters.org/craft-your-artist-statement

Did you know that it's possible to sell a book on the strength of a book proposal alone—even if you haven't yet finished writing your book? A book proposal is an equation: a business case married with a marketing plan that you submit to publishers. In this six-week workshop, students will learn the full spectrum of writing a first-draft proposal: what to include, what to leave out, faux pas to avoid, structuring your proposal in a professional format, and how to demonstrate to publishers that you're a serious writer who understands the 21st century publishing landscape. Each week, students will write one draft section of their proposal. They will receive weekly critique on their drafts from the instructor, and they will also workshop some sections with one another in small groups or partners. Students should have a completed or in-progress nonfiction manuscript, and be comfortable using Word, Google Docs, or Scrivener.

Reserve your spot at https://grubstreet.org/findaclass/class/craft-a-winning-nonfiction-book-proposal 

Note: Due to conflicts with the AWP Conference, this class does not meet February 6th.

This workshop offers information, guidance, and strategies for writers ready to present their work on a conference panel, whether virtual or in-person. You will learn how to choose the right writers' conferences, prepare polished submissions, create a conference plan, obtain financial support to attend, practice conference etiquette, and avoid common, costly mistakes in your materials that mark you as an amateur. Open to writers who feel ready to present their work at a professional writers' conference. Register at https://hugohouse.org/product/get-invited-to-read-your-work-at-literary-conferences

This workshop is designed for writers who are thinking of enrolling in a Creative Writing MFA program, but feel intimidated by the application process. Do you fret about how to make your application rise to the top in a stack of fierce competitors? What are the most common pitfalls, and how can you avoid them? You probably know how competitive these programs are and how exacting the admissions requirements can be. Learn to present each aspect of your application in the strongest light, and avoid both the blunders and the omissions that many of your fellow applicants will make. During this workshop, you will complete several drafts of the dreaded "tell us about yourself" statement, compile your literary CV, understand the differences and (often surprising) variations among MFA programs, and consider which program model may be the best fit for you. Though this class is geared for people thinking about or planning to apply to an MFA program in fiction, creative nonfiction, or poetry, playwrights and screenwriters are also welcome. Registration is now open at https://grubstreet.org/findaclass/class/ace-your-mfa-application

In this class that starts on March 20th, you will birth, nurture, and release one brand-new flash fiction story. You will engage in extensive revisions of your work, and close readings and analysis of ten sudden fiction stories. Students registering for this class should be prepared to create new work from scratch in a concentrated, serious environment. Homework will consist of revisions and exercises to help ensure that your piece is as polished and economically written as possible. Prior fiction or nonfiction writing experience is required. Registration is through The University of Chicago's Graham School of Continuing Liberal and Professional Studies. This is course #WRIT32850.

4/30/23    

11am – 3:30pm

$60

This workshop is geared for writers who are planning to participate in open mics, literary festivals, a reading series, or who will be reading their work at a writers' or humanities conference. In this workshop we will cover the myriad ways in which to ensure that reading your work to an audience helps you build your reputation as a writer and share the passion you have for your story, poem, or essay. Reading in public is one of the best ways to propel your literary career forward and get yourself invited to other events.  In this workshop you will learn:

• the critical but too-often-overloooked preparatory steps to take before you ever set foot in the venue
• how to notate your excerpt or your piece to guide the pace, inflection, pauses, phrasing, and emphasis of your reading
• how to harness stage fright and make it work for you
• how to establish presence at the mic
• what NOT to do at the microphone!

A laptop, tablet, or notebook computer is required for this class.

Registration closes April 26th. The registration process:

1)       Email AuthorLyzetteWanzer@LyzetteWanzerMFA.com

2)       Mention the workshop(s) for which you wish to register

3)       You will receive a message about whether space remains in the class. If space remains, you will receive online payment instructions. Do not attempt to remit payment until you receive confirmation that a seat is available.

4)      Tuition is non-refundable after April 26th.